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Pagina 100
And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us ...
And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us ...
Pagina 375
In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
Pagina 379
from the observed one , but only this activity which I behold . I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement .
from the observed one , but only this activity which I behold . I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |