A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 100
... activity in general . And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function ...
... activity in general . And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function ...
Pagina 375
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
Pagina 379
... activity which the other experiences , of his freedom and pride . On the other hand I also ex- perience my own movement and feel my activity , my freedom and my pride , etc. Contrariwise , in esthetic imitation this opposition is ...
... activity which the other experiences , of his freedom and pride . On the other hand I also ex- perience my own movement and feel my activity , my freedom and my pride , etc. Contrariwise , in esthetic imitation this opposition is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York