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Pagina 100
And is not this activity truly determined , when one single function is attributed to it
, not spatializing nor temporalizing , but characterizing ? Or rather , when it is
conceived as itself a category or function which gives us knowledge of things in ...
And is not this activity truly determined , when one single function is attributed to it
, not spatializing nor temporalizing , but characterizing ? Or rather , when it is
conceived as itself a category or function which gives us knowledge of things in ...
Pagina 375
In short , I feel a multifarious “ inner activity . ” And in all this I feel vigorous , free ,
certain , resilient , perhaps proud and the like . This sort of feeling is always the
ground of esthetic enjoyment . One can see that this ground occupies a middle ...
In short , I feel a multifarious “ inner activity . ” And in all this I feel vigorous , free ,
certain , resilient , perhaps proud and the like . This sort of feeling is always the
ground of esthetic enjoyment . One can see that this ground occupies a middle ...
Pagina 380
But this does not eliminate my inner activity , the striving and satisfaction I feel as I
contemplate the movements enacted before me . To be sure , every striving is by
its nature a striving after the realization of its end . But this realization is not ...
But this does not eliminate my inner activity , the striving and satisfaction I feel as I
contemplate the movements enacted before me . To be sure , every striving is by
its nature a striving after the realization of its end . But this realization is not ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |