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Pagina 100
And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us ...
And is not this activity truly determined , when one single function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us ...
Pagina 375
In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
Pagina 379
from the observed one , but only this activity which I behold . I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement .
from the observed one , but only this activity which I behold . I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York