A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 13
... actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure . But they do not stop very long at this stage . Once they know that the story is not of actual events , they can ...
... actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure . But they do not stop very long at this stage . Once they know that the story is not of actual events , they can ...
Pagina 401
... actual , spatial distance separating objects . of sight and hearing from the subject has contributed strongly to the develop- ment of this monopoly . In a similar manner temporal remoteness produces Dis- tance , and objects removed from ...
... actual , spatial distance separating objects . of sight and hearing from the subject has contributed strongly to the develop- ment of this monopoly . In a similar manner temporal remoteness produces Dis- tance , and objects removed from ...
Pagina 409
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York