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Pagina 13
For this reason the feelings which arise in them while they listen to the story have in part an actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure .
For this reason the feelings which arise in them while they listen to the story have in part an actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure .
Pagina 401
There is little doubt that , apart from other excellent reasons of a partly psycho- physical , partly technical nature , the actual , spatial distance separating objects . of sight and hearing from the subject has contributed strongly ...
There is little doubt that , apart from other excellent reasons of a partly psycho- physical , partly technical nature , the actual , spatial distance separating objects . of sight and hearing from the subject has contributed strongly ...
Pagina 409
strong relief , and their light happens to coincide with the actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion .
strong relief , and their light happens to coincide with the actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York