A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 75
... appears with such convincing clearness as in the Dionysiac monu- ments of classical art . The frieze around the ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
... appears with such convincing clearness as in the Dionysiac monu- ments of classical art . The frieze around the ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
Pagina 102
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear paradoxical as we maintain it , is the illusion or prejudice that we possess a more complete intui- tion ...
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear paradoxical as we maintain it , is the illusion or prejudice that we possess a more complete intui- tion ...
Pagina 234
... appear only as qualitied . We keep “ quality ” as a term for the very purpose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more ...
... appear only as qualitied . We keep “ quality ” as a term for the very purpose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York