A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 75
... appears with such convincing clearness as in the Dionysiac monu- ments of classical art . The frieze around the Bacchic candelabra in the Louvre proves better than any psychological analysis to how great a degree the Dionysiac state is ...
... appears with such convincing clearness as in the Dionysiac monu- ments of classical art . The frieze around the Bacchic candelabra in the Louvre proves better than any psychological analysis to how great a degree the Dionysiac state is ...
Pagina 102
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear paradoxical as we maintain it , is the illusion or prejudice that we possess a more complete intui- tion ...
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear paradoxical as we maintain it , is the illusion or prejudice that we possess a more complete intui- tion ...
Pagina 325
... appears different color , or a color appears in different degrees of saturation or brightness ; or in architecture , where a shape occurs in different sizes or members — in doors , windows , gables , choir - stalls , and the like ...
... appears different color , or a color appears in different degrees of saturation or brightness ; or in architecture , where a shape occurs in different sizes or members — in doors , windows , gables , choir - stalls , and the like ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York