Dall'interno del libro
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Pagina xxx
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
Pagina xxxi
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
Pagina 531
281-306 . Lundholm , Helge , The Aesthetic Senti- ment , Cambridge , Mass . , 1941 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 . Neuhaus , Eugen , The Appreciation of Art , New York , 1924 .
281-306 . Lundholm , Helge , The Aesthetic Senti- ment , Cambridge , Mass . , 1941 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 . Neuhaus , Eugen , The Appreciation of Art , New York , 1924 .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |