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Pagina xxx
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
Pagina xxxi
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
Pagina 531
281-306 . Lundholm , Helge , The Aesthetic Senti- ment , Cambridge , Mass . , 1941 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 . Neuhaus , Eugen , The Appreciation of Art , New York , 1924 .
281-306 . Lundholm , Helge , The Aesthetic Senti- ment , Cambridge , Mass . , 1941 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 . Neuhaus , Eugen , The Appreciation of Art , New York , 1924 .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York