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Risultati 1-3 di 61
Pagina xxi
By communicating the “ incommunicable , ” art creates a community of
appreciation to supplement the community of scientific interpretation . Just as the
objectivity of science implies the recognition of a " common world ” of describable
objects ...
By communicating the “ incommunicable , ” art creates a community of
appreciation to supplement the community of scientific interpretation . Just as the
objectivity of science implies the recognition of a " common world ” of describable
objects ...
Pagina xxx
Appreciation and Criticism If we turn from the work of art to the audience , we can
distinguish between a contemplative and a critical aspect in the audience ' s
reaction . Esthetic contemplation , which is described in the present volume in
such ...
Appreciation and Criticism If we turn from the work of art to the audience , we can
distinguish between a contemplative and a critical aspect in the audience ' s
reaction . Esthetic contemplation , which is described in the present volume in
such ...
Pagina xxxi
14 Art is thus fundamental to the whole enterprise of living as a means of
expression , creation , and appreciation . Art is art , and not morality , religion ,
technology , or social reform ; but neither is it an anodyne or a piddling luxury or
an ...
14 Art is thus fundamental to the whole enterprise of living as a means of
expression , creation , and appreciation . Art is art , and not morality , religion ,
technology , or social reform ; but neither is it an anodyne or a piddling luxury or
an ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |