A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 332
... artist . The swirl pattern in the “ Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
... artist . The swirl pattern in the “ Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
Pagina 334
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be unlikely to turn traditional forms to very significant account . But an artist ...
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be unlikely to turn traditional forms to very significant account . But an artist ...
Pagina 464
... artist and of his social and cultural milieu . The works of any given artist manifest stylistic similarities and differ stylistically from the works of other artists ; the style of one school differs from that of another ; and when the ...
... artist and of his social and cultural milieu . The works of any given artist manifest stylistic similarities and differ stylistically from the works of other artists ; the style of one school differs from that of another ; and when the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York