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Pagina 332
immediately to alter the presentational or representational relations radiating from that feature and so to alter the precise over - all design that the artist has given to his work . Nevertheless , designs can be considered at a ...
immediately to alter the presentational or representational relations radiating from that feature and so to alter the precise over - all design that the artist has given to his work . Nevertheless , designs can be considered at a ...
Pagina 334
They can teach him general conceptions of artistic ordering and can help to inculcate precision and a certain amount of elementary technical facility . ... To the mature artist , traditional type patterns can equally be an asset .
They can teach him general conceptions of artistic ordering and can help to inculcate precision and a certain amount of elementary technical facility . ... To the mature artist , traditional type patterns can equally be an asset .
Pagina 464
Artistic Style , Perfection , Truth , and Greatness ... The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has ...
Artistic Style , Perfection , Truth , and Greatness ... The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |