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Pagina 55
virtue of such imitation , they succeed in producing works of incontestable artistic
value . Here we have simply a misunderstanding . If an artist were really able to
reduce himself to the condition of a copying machine ; if he could so far efface ...
virtue of such imitation , they succeed in producing works of incontestable artistic
value . Here we have simply a misunderstanding . If an artist were really able to
reduce himself to the condition of a copying machine ; if he could so far efface ...
Pagina 151
There may be some validity in the idea held by the Freudian school that artists
without exception are narcissistic - by which is ... The statement is only valid ,
however , for the artist as a person , and has nothing to do with the man as an
artist .
There may be some validity in the idea held by the Freudian school that artists
without exception are narcissistic - by which is ... The statement is only valid ,
however , for the artist as a person , and has nothing to do with the man as an
artist .
Pagina 334
invention of details . They can teach him general conceptions of artistic ordering
and can help to inculcate precision and a certain amount of elementary technical
facility . ... To the mature artist , traditional type patterns can equally be an asset .
invention of details . They can teach him general conceptions of artistic ordering
and can help to inculcate precision and a certain amount of elementary technical
facility . ... To the mature artist , traditional type patterns can equally be an asset .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |