A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 166
... attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively concrete ; each word has a special ...
... attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively concrete ; each word has a special ...
Pagina 227
... attitude . And according to their capacity and their stage of culture , they may make a pile of their enemies ' skulls , or they may build the Parthenon . The point of the esthetic attitude lies in the adequate fusion of body and soul ...
... attitude . And according to their capacity and their stage of culture , they may make a pile of their enemies ' skulls , or they may build the Parthenon . The point of the esthetic attitude lies in the adequate fusion of body and soul ...
Pagina 279
... attitudes . It is not what the universe is made of but how it works , the law it follows , which makes verifiable ... attitude lies , not in the object , but in itself , in its serviceableness to the whole personality . Upon its place ...
... attitudes . It is not what the universe is made of but how it works , the law it follows , which makes verifiable ... attitude lies , not in the object , but in itself , in its serviceableness to the whole personality . Upon its place ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York