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Pagina 166
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
Pagina 227
All this later argument of ours , starting from the importance of medium and technique , has aimed at exhibiting in detail the double process of creation and contemplation which is implied in the esthetic attitude , and the ...
All this later argument of ours , starting from the importance of medium and technique , has aimed at exhibiting in detail the double process of creation and contemplation which is implied in the esthetic attitude , and the ...
Pagina 279
The justification , on the reverse , of any attitude lies , not in the object , but in itself , in its serviceableness to the whole ... Upon its place in the whole system of attitudes , which is the personality , all its worth depends .
The justification , on the reverse , of any attitude lies , not in the object , but in itself , in its serviceableness to the whole ... Upon its place in the whole system of attitudes , which is the personality , all its worth depends .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York