A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 166
... attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively concrete ; each word has a special ...
... attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively concrete ; each word has a special ...
Pagina 227
... attitude . And according to their capacity and their stage of culture , they may make a pile of their enemies ' skulls , or they may build the Parthenon . The point of the esthetic attitude lies in the adequate fusion of body and soul ...
... attitude . And according to their capacity and their stage of culture , they may make a pile of their enemies ' skulls , or they may build the Parthenon . The point of the esthetic attitude lies in the adequate fusion of body and soul ...
Pagina 279
... attitudes . It is not what the universe is made of but how it works , the law it follows , which makes ... attitude lies , not in the object , but in itself , in its serviceableness to the whole personality . Upon its place ...
... attitudes . It is not what the universe is made of but how it works , the law it follows , which makes ... attitude lies , not in the object , but in itself , in its serviceableness to the whole personality . Upon its place ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York