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Pagina 166
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
Pagina 227
All this later argument of ours , starting from the importance of medium and
technique , has aimed at exhibiting in detail the double process of creation and
contemplation which is implied in the esthetic attitude , and the impossibility of ...
All this later argument of ours , starting from the importance of medium and
technique , has aimed at exhibiting in detail the double process of creation and
contemplation which is implied in the esthetic attitude , and the impossibility of ...
Pagina 279
The justification , on the reverse , of any attitude lies , not in the object , but in
itself , in its serviceableness to the whole personality . Upon its place in the whole
system of attitudes , which is the personality , all its worth depends . This is as
true ...
The justification , on the reverse , of any attitude lies , not in the object , but in
itself , in its serviceableness to the whole personality . Upon its place in the whole
system of attitudes , which is the personality , all its worth depends . This is as
true ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |