A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 326
... balance . Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
... balance . Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
Pagina 327
... balance of unlike parts.1 With this richer conception in mind , we can understand the balance - as in Bruegel's " Harvesters " -between prominent objects in the right - hand part and little except a vista on the left . Similarly , there ...
... balance of unlike parts.1 With this richer conception in mind , we can understand the balance - as in Bruegel's " Harvesters " -between prominent objects in the right - hand part and little except a vista on the left . Similarly , there ...
Pagina 445
... balance and a deadlock is difficult to explain . Two particular cases which may produce misapprehension are worth noting . The first is the case of irresolution . It may be supposed that here we have a balance of impulses by which we ...
... balance and a deadlock is difficult to explain . Two particular cases which may produce misapprehension are worth noting . The first is the case of irresolution . It may be supposed that here we have a balance of impulses by which we ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York