A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 326
... balance . Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
... balance . Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
Pagina 327
... balance of unlike parts . * With this richer conception in mind , we can understand the balance - as in Bruegel's " Harvesters " -between prominent objects in the right - hand part and little except a vista on the left . Similarly ...
... balance of unlike parts . * With this richer conception in mind , we can understand the balance - as in Bruegel's " Harvesters " -between prominent objects in the right - hand part and little except a vista on the left . Similarly ...
Pagina 445
... balance and a deadlock is difficult to explain . Two particular cases which may produce misapprehension are worth noting . The first is the case of irresolution . It may be supposed that here we have a balance of impulses by which we ...
... balance and a deadlock is difficult to explain . Two particular cases which may produce misapprehension are worth noting . The first is the case of irresolution . It may be supposed that here we have a balance of impulses by which we ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York