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Pagina 19
Thus when Kant declared that beauty was so judged because it set the un- derstanding at work in harmony with the imagination , he spoke truly , but ac- cording to his fashion in subjective terms , and so far inadequately .
Thus when Kant declared that beauty was so judged because it set the un- derstanding at work in harmony with the imagination , he spoke truly , but ac- cording to his fashion in subjective terms , and so far inadequately .
Pagina 25
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
Pagina 26
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : SI Beauty and ...
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : SI Beauty and ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |