A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 26
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is after their own kind ...
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is after their own kind ...
Pagina 27
... beauty adds to goodness a relation to the cognitive faculty : so that good means that which simply pleases the appetite ; while the beautiful is something pleasant to apprehend . ( Part II , [ First Part ] , question 27 , article 1. ) I ...
... beauty adds to goodness a relation to the cognitive faculty : so that good means that which simply pleases the appetite ; while the beautiful is something pleasant to apprehend . ( Part II , [ First Part ] , question 27 , article 1. ) I ...
Pagina 28
... beauty -claritas est de ratione pulchritudinis , 5 lux pulchrificat , quia sine luce omnia sunt turpia , —but it is a splendor of intelligibility : splendor veri , ' said the Platonists , splendor ordinis , 8 said St. Augustine , adding ...
... beauty -claritas est de ratione pulchritudinis , 5 lux pulchrificat , quia sine luce omnia sunt turpia , —but it is a splendor of intelligibility : splendor veri , ' said the Platonists , splendor ordinis , 8 said St. Augustine , adding ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York