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Pagina 19
Thus when Kant declared that beauty was so judged because it set the un- derstanding at work in harmony with the imagination , he spoke truly , but ac- cording to his fashion in subjective terms , and so far inadequately .
Thus when Kant declared that beauty was so judged because it set the un- derstanding at work in harmony with the imagination , he spoke truly , but ac- cording to his fashion in subjective terms , and so far inadequately .
Pagina 25
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
Pagina 26
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : SI Beauty and ...
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : SI Beauty and ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |