Dall'interno del libro
Risultati 1-3 di 87
Pagina 233
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
Pagina 306
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
Pagina 445
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |