A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 177
... become emotional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is found or thought to exist a threatening object ...
... become emotional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is found or thought to exist a threatening object ...
Pagina 306
... become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form of a work of art has a meaning of ...
... become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form of a work of art has a meaning of ...
Pagina 445
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic experience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic experience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York