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Pagina 233
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
Pagina 306
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
Pagina 445
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |