A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 280
... beliefs may fittingly receive the same expression . Most words used in stating any speculative opinion are as ambiguous as “ Belief ” ; and yet by such words belief - objects must be distinguished . But in the case of " belief " there ...
... beliefs may fittingly receive the same expression . Most words used in stating any speculative opinion are as ambiguous as “ Belief ” ; and yet by such words belief - objects must be distinguished . But in the case of " belief " there ...
Pagina 282
... belief , closely resembles belief . Yet if we suppose that , beyond this mere " poetic " assumption , a definite state of belief in this particular doctrine of the Resurrection of the Body is re- quired for a full reading of Donne's ...
... belief , closely resembles belief . Yet if we suppose that , beyond this mere " poetic " assumption , a definite state of belief in this particular doctrine of the Resurrection of the Body is re- quired for a full reading of Donne's ...
Pagina 283
... belief . Neither belief nor disbelief arises , in this intellectual sense , unless the logical context of our ideas is in question . Apart from these logical connections the idea is neither believed nor disbelieved , nor doubted nor ...
... belief . Neither belief nor disbelief arises , in this intellectual sense , unless the logical context of our ideas is in question . Apart from these logical connections the idea is neither believed nor disbelieved , nor doubted nor ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York