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Pagina 280
Belief . Two " beliefs " may differ from one another : ( 1 ) In their objects ( 2 ) In their statements or expressions ( 3 ) In their modes ( 4 ) In their grounds ( 5 ) In their occasions ( 6 ) In their connections with other " beliefs ...
Belief . Two " beliefs " may differ from one another : ( 1 ) In their objects ( 2 ) In their statements or expressions ( 3 ) In their modes ( 4 ) In their grounds ( 5 ) In their occasions ( 6 ) In their connections with other " beliefs ...
Pagina 282
actual belief in the doctrine that appears in the poem is required for its full and perfect imaginative realization . ... read religious poetry find themselves strongly invited to the beliefs presented , and that doctrinal dissent is a ...
actual belief in the doctrine that appears in the poem is required for its full and perfect imaginative realization . ... read religious poetry find themselves strongly invited to the beliefs presented , and that doctrinal dissent is a ...
Pagina 283
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York