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Pagina 283
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
Pagina 284
Conversely , a very strong emotional belief may have little persistence . Last
night's revelation grows dim amid this morning's affairs , for the need which gave
it such glamorous reality was only a need of the moment . Of this kind are most of
the ...
Conversely , a very strong emotional belief may have little persistence . Last
night's revelation grows dim amid this morning's affairs , for the need which gave
it such glamorous reality was only a need of the moment . Of this kind are most of
the ...
Pagina 285
But this restricted intellectual inquiry is a different thing from the all - embracing
attempt to systematize our ideas which alone brings up the problem of intellectual
belief . We can now turn back to ( Donne ' s poem ) , to the point from which this ...
But this restricted intellectual inquiry is a different thing from the all - embracing
attempt to systematize our ideas which alone brings up the problem of intellectual
belief . We can now turn back to ( Donne ' s poem ) , to the point from which this ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |