A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 108
... body to be completely subservient . On the other hand , we are equally aware of their interdependence ; mind needs body to exist and body needs mind for any purposeful activity ; that is to say , this gap of which we are so acutely ...
... body to be completely subservient . On the other hand , we are equally aware of their interdependence ; mind needs body to exist and body needs mind for any purposeful activity ; that is to say , this gap of which we are so acutely ...
Pagina 222
... body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence , ' The man has a pain in his finger ' [ Republic , 462 D ] . It is the whole man , the ' body - and - mind , ' who has the pain ...
... body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence , ' The man has a pain in his finger ' [ Republic , 462 D ] . It is the whole man , the ' body - and - mind , ' who has the pain ...
Pagina 223
... body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life ... body are created adequate to one another . " It is parallel to the question in general philosophy , " Why the soul ...
... body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life ... body are created adequate to one another . " It is parallel to the question in general philosophy , " Why the soul ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York