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Pagina 108
This gap , of course , is simply another representative of the mind - body gap , which all idealist philosophers and mechanists are so eager to get rid of : the first by abolishing the body and the second by abolishing the mind .
This gap , of course , is simply another representative of the mind - body gap , which all idealist philosophers and mechanists are so eager to get rid of : the first by abolishing the body and the second by abolishing the mind .
Pagina 223
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind " in ...
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind " in ...
Pagina 432
Cellini would have replied that since the human body is the most perfect of all forms we cannot see it too often . In between these two extremes was that forest of nude figures , painted or carved , in stucco , bronze , or stone , which ...
Cellini would have replied that since the human body is the most perfect of all forms we cannot see it too often . In between these two extremes was that forest of nude figures , painted or carved , in stucco , bronze , or stone , which ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |