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Pagina 108
This gap , of course , is simply another representative of the mind - body gap ,
which all idealist philosophers and mechanists are so eager to get rid of : the first
by abolishing the body and the second by abolishing the mind . Unfortunately ...
This gap , of course , is simply another representative of the mind - body gap ,
which all idealist philosophers and mechanists are so eager to get rid of : the first
by abolishing the body and the second by abolishing the mind . Unfortunately ...
Pagina 223
on paper . But when you come to carry them out in the medium , then , if they are
appropriate , or if you succeed in adapting them , they become each a special
phase of the embodiment of your whole delight and interest of “ body - and - mind
...
on paper . But when you come to carry them out in the medium , then , if they are
appropriate , or if you succeed in adapting them , they become each a special
phase of the embodiment of your whole delight and interest of “ body - and - mind
...
Pagina 421
It is widely supposed that the naked human body is in itself an object upon which
the eye dwells with pleasure and which we are glad to see depicted . But anyone
who has frequented art schools and seen the shapeless , pitiful model that the ...
It is widely supposed that the naked human body is in itself an object upon which
the eye dwells with pleasure and which we are glad to see depicted . But anyone
who has frequented art schools and seen the shapeless , pitiful model that the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |