A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 149
... bring together materials for comparison and offer a terminology for its discussion . According to this terminology , that which appears in the vision is the collective unconscious . We mean by collective unconscious , a certain psychic ...
... bring together materials for comparison and offer a terminology for its discussion . According to this terminology , that which appears in the vision is the collective unconscious . We mean by collective unconscious , a certain psychic ...
Pagina 319
... Bring forth the horse ! " The horse was brought : In truth he was a noble steed ! says Byron in Mazeppa . If the two words mean the same here , transpose the n : " Bring forth the steed ! " The steed was brought : In truth he was a ...
... Bring forth the horse ! " The horse was brought : In truth he was a noble steed ! says Byron in Mazeppa . If the two words mean the same here , transpose the n : " Bring forth the steed ! " The steed was brought : In truth he was a ...
Pagina 436
... bring about a certain change and effect with the stone . As soon as we have grasped the deeper meaning of all “ analysis ” we see that it is inseparable from the study of causes and effects . Description and explanation are not two ...
... bring about a certain change and effect with the stone . As soon as we have grasped the deeper meaning of all “ analysis ” we see that it is inseparable from the study of causes and effects . Description and explanation are not two ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York