A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 134
... called psychological novels , too , that only one person - once again the hero - is described from within ; the author dwells in his soul and looks the other people from outside . The psychological novel in general probably owes its ...
... called psychological novels , too , that only one person - once again the hero - is described from within ; the author dwells in his soul and looks the other people from outside . The psychological novel in general probably owes its ...
Pagina 198
... called ' yellow ochre . ' ' say , And compare this case : I show him samples of different shades of blue and " The color that is common to all these is what I call ' blue . ' ' 73. When someone defines the names of color for me by ...
... called ' yellow ochre . ' ' say , And compare this case : I show him samples of different shades of blue and " The color that is common to all these is what I call ' blue . ' ' 73. When someone defines the names of color for me by ...
Pagina 204
... called " games " but look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all , but similarities , relationships , and a whole series of them at that ... " Card ...
... called " games " but look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all , but similarities , relationships , and a whole series of them at that ... " Card ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York