A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 85
Pagina 134
It has struck me in many so-called psychological novels, too, that only one person
— once again the hero— is described from within; the author dwells in his soul
and looks upon the other people from outside. The psychological novel in ...
It has struck me in many so-called psychological novels, too, that only one person
— once again the hero— is described from within; the author dwells in his soul
and looks upon the other people from outside. The psychological novel in ...
Pagina 198
Compare with this a case in which I show him figures of different shapes all
painted the same color, and say: "What these have in common is called yellow
ochre.' " And compare this case: I show him samples of different shades of blue
and say ...
Compare with this a case in which I show him figures of different shapes all
painted the same color, and say: "What these have in common is called yellow
ochre.' " And compare this case: I show him samples of different shades of blue
and say ...
Pagina 228
This is called the connexity of the relation. A relation is said to have connexity
when between any two elements of the field whatever this relation holds. Now all
sounds have pitch, and every distinct pitch is either above or below any other
pitch ...
This is called the connexity of the relation. A relation is said to have connexity
when between any two elements of the field whatever this relation holds. Now all
sounds have pitch, and every distinct pitch is either above or below any other
pitch ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York