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Pagina 85
Comedy depicts characters we have already come across and shall meet with again . ... le Joueur , le Distrait , etc. , are names of whole classes of people ; and even when a character comedy has a proper noun as its title , this proper ...
Comedy depicts characters we have already come across and shall meet with again . ... le Joueur , le Distrait , etc. , are names of whole classes of people ; and even when a character comedy has a proper noun as its title , this proper ...
Pagina 114
That is to say , the writing of a novel is not only the exploration of a theme , of character , of possibility , but of technical limits . When Proust was writing his masterpiece he had a letter from Mme . Schiff to complain that he had ...
That is to say , the writing of a novel is not only the exploration of a theme , of character , of possibility , but of technical limits . When Proust was writing his masterpiece he had a letter from Mme . Schiff to complain that he had ...
Pagina 397
Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . ... One of the best - known examples is to be found in our attitude towards the events and characters of the drama : they appeal to ...
Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . ... One of the best - known examples is to be found in our attitude towards the events and characters of the drama : they appeal to ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York