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Pagina 85
Comedy depicts characters we have already come across and shall meet with again . ... le Joueur , le Distrait , etc. , are names of whole classes of people ; and even when a character comedy has a proper noun as its title , this proper ...
Comedy depicts characters we have already come across and shall meet with again . ... le Joueur , le Distrait , etc. , are names of whole classes of people ; and even when a character comedy has a proper noun as its title , this proper ...
Pagina 329
The essential character of evolution is , as Bergson has shown , growth or accumulation of meaning , which need not be rhythmical . Two different types of evolutionary unity must be discriminated , the dramatic and the non - dramatic .
The essential character of evolution is , as Bergson has shown , growth or accumulation of meaning , which need not be rhythmical . Two different types of evolutionary unity must be discriminated , the dramatic and the non - dramatic .
Pagina 491
action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all .
action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |