A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 85
Comedy depicts characters we have already come across and shall meet with
again. It takes note of similarities. It aims at placing types before our eyes. It even
creates new types, if necessary. In this respect it forms a contrast to all the other ...
Comedy depicts characters we have already come across and shall meet with
again. It takes note of similarities. It aims at placing types before our eyes. It even
creates new types, if necessary. In this respect it forms a contrast to all the other ...
Pagina 114
That is to say, the writing of a novel is not only the exploration of a theme, of
character, of possibility, but of technical limits. When Proust was writing his
masterpiece he had a letter from Mme. Schiff to complain that he had made
Swann ...
That is to say, the writing of a novel is not only the exploration of a theme, of
character, of possibility, but of technical limits. When Proust was writing his
masterpiece he had a letter from Mme. Schiff to complain that he had made
Swann ...
Pagina 491
action, therefore, is not with a view to the representation of character: character
comes in as subsidiary to the actions. Hence the incidents and the plot are the
end of a tragedy; and the end is the chief thing of all. Again, without action there ...
action, therefore, is not with a view to the representation of character: character
comes in as subsidiary to the actions. Hence the incidents and the plot are the
end of a tragedy; and the end is the chief thing of all. Again, without action there ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
15 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York