A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 85
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 114
... character had more powerful arguments than Dostoevsky had allowed for in his plot . It is a form of intuition ; it is the immediate recognition of a real truth , a penetration into the realities of character . And it has broken through ...
... character had more powerful arguments than Dostoevsky had allowed for in his plot . It is a form of intuition ; it is the immediate recognition of a real truth , a penetration into the realities of character . And it has broken through ...
Pagina 397
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York