A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 198
... color that is common to all these is what I call ' blue . ' ' 73. When someone defines the names of color for me by pointing to samples and saying " This color is called ' blue , ' this ' green ' . . . " this case can be compared in ...
... color that is common to all these is what I call ' blue . ' ' 73. When someone defines the names of color for me by pointing to samples and saying " This color is called ' blue , ' this ' green ' . . . " this case can be compared in ...
Pagina 231
... color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green and green - yellow back to yellow . There are the lighter tints for each hue ...
... color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green and green - yellow back to yellow . There are the lighter tints for each hue ...
Pagina 325
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its ...
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York