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Pagina 198
Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . ' " And compare this case : I show him samples of different shades of ...
Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . ' " And compare this case : I show him samples of different shades of ...
Pagina 231
the fact of serial orders or dimensions dictated by the intrinsic nature of color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green ...
the fact of serial orders or dimensions dictated by the intrinsic nature of color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green ...
Pagina 325
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and ...
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |