A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 195
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ways . And it is because of this ...
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ways . And it is because of this ...
Pagina 198
... common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . ' " say , And compare this case : I show him samples ...
... common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . ' " say , And compare this case : I show him samples ...
Pagina 204
... common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games , ball games , Olympic games , and so on . What is common to them all ? -Don't say : ' there must be something ...
... common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games , ball games , Olympic games , and so on . What is common to them all ? -Don't say : ' there must be something ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York