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Pagina 195
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ...
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ...
Pagina 198
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
Pagina 204
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |