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Pagina 195
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ...
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ...
Pagina 198
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
Pagina 204
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |