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Pagina 195
You talk about all sorts of language - games , but have nowhere said what the
essence of a language - game , and hence of language , is : what is common to
all these activities , and what makes them into language or parts of language .
You talk about all sorts of language - games , but have nowhere said what the
essence of a language - game , and hence of language , is : what is common to
all these activities , and what makes them into language or parts of language .
Pagina 198
what is common to the pictures . Then he can look at , can point to , the common
thing . Compare with this a case in which I show him figures of different shapes
all painted the same color , and say : " What these have in common is called ...
what is common to the pictures . Then he can look at , can point to , the common
thing . Compare with this a case in which I show him figures of different shapes
all painted the same color , and say : " What these have in common is called ...
Pagina 204
The traditional philosophical , theoretical answer would be in terms of some
exhaustive set of properties common to all games . To this Wittgenstein says , let
us consider what we call “ games ” : “ I mean board games , card games , ball
games ...
The traditional philosophical , theoretical answer would be in terms of some
exhaustive set of properties common to all games . To this Wittgenstein says , let
us consider what we call “ games ” : “ I mean board games , card games , ball
games ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |