A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 184
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
Pagina 225
... complete , and have all you want of them , if you have them before your mind and have not the things in bodily pres ... complete without minds , but minds , again , are not complete without things ; not any more , we might say ...
... complete , and have all you want of them , if you have them before your mind and have not the things in bodily pres ... complete without minds , but minds , again , are not complete without things ; not any more , we might say ...
Pagina 442
... complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can never give . The most systematic effort must be made to train the young man from the first for the true aspect of the world ...
... complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can never give . The most systematic effort must be made to train the young man from the first for the true aspect of the world ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York