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Pagina 184
Architects are obliged to complete their idea before its translation into a complete
object of perception takes place . Inability to build up simultaneously the idea and
its objective embodiment imposes a handicap . Nevertheless , they too are ...
Architects are obliged to complete their idea before its translation into a complete
object of perception takes place . Inability to build up simultaneously the idea and
its objective embodiment imposes a handicap . Nevertheless , they too are ...
Pagina 225
No doubt it seems obvious , when once pointed out , that things are not all there ,
not complete in all qualities , except when they are appreciated in a mind . And
then , having rightly observed that this is so , we are apt to go on and say that you
...
No doubt it seems obvious , when once pointed out , that things are not all there ,
not complete in all qualities , except when they are appreciated in a mind . And
then , having rightly observed that this is so , we are apt to go on and say that you
...
Pagina 479
The beauty of the work of art is a “ difficult beauty . ” And the ugliness of the
spectator ' s response can be overcome by a fuller realization of the work . Thirdly
, what if the esthetic work of art itself is lacking in complete integration ?
Bosanquet ...
The beauty of the work of art is a “ difficult beauty . ” And the ugliness of the
spectator ' s response can be overcome by a fuller realization of the work . Thirdly
, what if the esthetic work of art itself is lacking in complete integration ?
Bosanquet ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York