A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 196
... concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
... concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
Pagina 205
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C ... N in certain respects - has strands of similarity to them — the concept is extended and a new phase of the novel engendered . " Is N + 1 a ...
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C ... N in certain respects - has strands of similarity to them — the concept is extended and a new phase of the novel engendered . " Is N + 1 a ...
Pagina 206
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York