A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 196
... concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
... concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
Pagina 205
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C . . . N in certain respects - has strands of simi- larity to them - the concept is extended and a new phase of the novel engendered . " Is N + ...
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C . . . N in certain respects - has strands of simi- larity to them - the concept is extended and a new phase of the novel engendered . " Is N + ...
Pagina 206
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York