A Modern Book of Esthetics: An Anthology |
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Pagina 196
Well, perhaps because it has a— direct- relationship with several things that have
hitherto been called number; and this can be said to give it an indirect
relationship to other things we call the same name. And we extend our concept of
number ...
Well, perhaps because it has a— direct- relationship with several things that have
hitherto been called number; and this can be said to give it an indirect
relationship to other things we call the same name. And we extend our concept of
number ...
Pagina 205
It cannot occur with empirically-descriptive and normative concepts unless we
arbitrarily close them by stipulating the ranges of their uses. I can illustrate this
open character of "art" best by examples drawn from its sub-concepts. Consider ...
It cannot occur with empirically-descriptive and normative concepts unless we
arbitrarily close them by stipulating the ranges of their uses. I can illustrate this
open character of "art" best by examples drawn from its sub-concepts. Consider ...
Pagina 206
Of course there are legitimate and serviceable closed concepts in art. But these
are always those whose boundaries of conditions have been drawn for a special
purpose. Consider the difference, for example, between "tragedy" and "(extant) ...
Of course there are legitimate and serviceable closed concepts in art. But these
are always those whose boundaries of conditions have been drawn for a special
purpose. Consider the difference, for example, between "tragedy" and "(extant) ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |