A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 59
... conception . It is by no means indifferent to the pleas- ures of sight and hearing , but it sees something beyond them . Its worth must not be measured only by perfection of form , but also and chiefly , by the double power of ...
... conception . It is by no means indifferent to the pleas- ures of sight and hearing , but it sees something beyond them . Its worth must not be measured only by perfection of form , but also and chiefly , by the double power of ...
Pagina 63
... conception of beauty , which confuses the whole matter ? The latest and most comprehensible definitions of art , apart from the conception of beauty , are the following :-( 1 ) a , Art is an activity arising even in the animal kingdom ...
... conception of beauty , which confuses the whole matter ? The latest and most comprehensible definitions of art , apart from the conception of beauty , are the following :-( 1 ) a , Art is an activity arising even in the animal kingdom ...
Pagina 139
... conception , a conception for which Goethe was first responsible , Hamlet represents the type of man whose active energy is paralyzed by excessive intellectual activity : " Sicklied o'er with the pale cast of thought . " According to ...
... conception , a conception for which Goethe was first responsible , Hamlet represents the type of man whose active energy is paralyzed by excessive intellectual activity : " Sicklied o'er with the pale cast of thought . " According to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York