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Pagina 389
For here the last vestige of connection with and dependence upon life is wiped out ; here the highest absolute form , the purest abstraction is attained ; here there is law , there is necessity , where otherwise the arbitrariness of the ...
For here the last vestige of connection with and dependence upon life is wiped out ; here the highest absolute form , the purest abstraction is attained ; here there is law , there is necessity , where otherwise the arbitrariness of the ...
Pagina 436
Such insight into connections is , of course , of fundamental importance , because all our practical actions must be regulated by it . If I want to act , the things in the world are my means and tools - I do not care what they " are ...
Such insight into connections is , of course , of fundamental importance , because all our practical actions must be regulated by it . If I want to act , the things in the world are my means and tools - I do not care what they " are ...
Pagina 439
Science is connection , but not every connection is science ; art is isolation , but not every isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
Science is connection , but not every connection is science ; art is isolation , but not every isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York