A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 36
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
Pagina 142
... consciousness what he ordinarily evades and overlooks or senses only with a feeling of dull discomfort . The poet's work is an interpretation and illumination of the contents of consciousness , of the ineluctable experiences of human ...
... consciousness what he ordinarily evades and overlooks or senses only with a feeling of dull discomfort . The poet's work is an interpretation and illumination of the contents of consciousness , of the ineluctable experiences of human ...
Pagina 157
An Anthology Melvin Miller Rader. tion which has produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , some- thing not given in the social world of poetry ...
An Anthology Melvin Miller Rader. tion which has produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , some- thing not given in the social world of poetry ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York