A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 36
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
Pagina 142
... consciousness what he ordinarily evades and overlooks or senses only with a feeling of dull discomfort . The poet's work is an interpretation and illumination of the contents of consciousness , of the ineluctable experiences of human ...
... consciousness what he ordinarily evades and overlooks or senses only with a feeling of dull discomfort . The poet's work is an interpretation and illumination of the contents of consciousness , of the ineluctable experiences of human ...
Pagina 157
An Anthology Melvin Miller Rader. tion which has produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , some- thing not given in the social world of poetry ...
An Anthology Melvin Miller Rader. tion which has produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , some- thing not given in the social world of poetry ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York