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Pagina 36
Yet there would surely have been no thinking , no expectation , and no conscious achievement in the whole process . ... But it is not only in the absence of all consciousness that value would be removed from the world ; by a less ...
Yet there would surely have been no thinking , no expectation , and no conscious achievement in the whole process . ... But it is not only in the absence of all consciousness that value would be removed from the world ; by a less ...
Pagina 157
tion which has produced in me a conscious subject . This consciousness is contradicted by my experience - that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called ...
tion which has produced in me a conscious subject . This consciousness is contradicted by my experience - that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called ...
Pagina 378
Nevertheless , in this state , the sense of striving and effort persists in my consciousness ; there remains the feeling of activity , of effort , of inner accomplish- ment , of success . There remains the consciousness of " inner ...
Nevertheless , in this state , the sense of striving and effort persists in my consciousness ; there remains the feeling of activity , of effort , of inner accomplish- ment , of success . There remains the consciousness of " inner ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York