A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 5
... consider are directly based upon illusion ; the pleasure which they call forth is a pleasure in illusion . The essential feature of them is that the player has the consciousness of playing a role , that is , he imagines himself to be ...
... consider are directly based upon illusion ; the pleasure which they call forth is a pleasure in illusion . The essential feature of them is that the player has the consciousness of playing a role , that is , he imagines himself to be ...
Pagina 9
... consider similarly as direct preliminary stages to dramatic art . When a child sitting on his father's knee plays " Hopp , hopp , Reiterlein " ( " gallop , gallop , little rider " ) , or when he leads another trotting child by the ...
... consider similarly as direct preliminary stages to dramatic art . When a child sitting on his father's knee plays " Hopp , hopp , Reiterlein " ( " gallop , gallop , little rider " ) , or when he leads another trotting child by the ...
Pagina 250
... consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide choice of lampshades , mostly monstrosities , and what is monstrous is usually their shape . You select the ...
... consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide choice of lampshades , mostly monstrosities , and what is monstrous is usually their shape . You select the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York